Focus on Form:
The development of sculptural form for mosaic
JUNE 2022 Dates: In Studio Workshop
Sat 25th & Sun 26th June 2022
Time: 10am - 5pm both days AEDT
Fee: $330 (inc GST) + $60 Materials fee (Total $390.00)
Booking Deposit: $110
Fully Booked
Sat 25th & Sun 26th June 2022
Time: 10am - 5pm both days AEDT
Fee: $330 (inc GST) + $60 Materials fee (Total $390.00)
Booking Deposit: $110
Fully Booked
Workshop Description
Join artist and teacher Caitlin Hepworth to learn to think differently about Sculptural Mosaic, where the development of the form is as much a consideration as the mosaic which is later applied to it. Caitlin has come to mosaic practice from a sculptural background and she aims to share her knowledge and love of this complex artform and its infinite possibilities.
It is Caitlin’s firm belief that in sculptural mosaic the form and the tesserae must energetically connect and work together to convey the artist’s intention. The two elements are co-dependent and intrinsically linked and for a successful outcome the sculptural form itself must be valid. Many mosaicists have well developed skills in the creative and technical aspects of mosaic, however many lack training and skills in sculpture and conceptual development.
In this workshop, students will learn strategies to explore, develop, evaluate and construct sculptural forms for mosaic.
This session should particularly benefit those who are interested in broadening their practice to include sculpture as well as those who have already begun to work in 3D.
Includes all materials and tools, extensive notes and handouts of each presentation, delicious morning tea and afternoon refreshments.
Note: This workshop does not include any mosaicing however the mosaic application is discussed where relevant throughout the workshop.
Join artist and teacher Caitlin Hepworth to learn to think differently about Sculptural Mosaic, where the development of the form is as much a consideration as the mosaic which is later applied to it. Caitlin has come to mosaic practice from a sculptural background and she aims to share her knowledge and love of this complex artform and its infinite possibilities.
It is Caitlin’s firm belief that in sculptural mosaic the form and the tesserae must energetically connect and work together to convey the artist’s intention. The two elements are co-dependent and intrinsically linked and for a successful outcome the sculptural form itself must be valid. Many mosaicists have well developed skills in the creative and technical aspects of mosaic, however many lack training and skills in sculpture and conceptual development.
In this workshop, students will learn strategies to explore, develop, evaluate and construct sculptural forms for mosaic.
This session should particularly benefit those who are interested in broadening their practice to include sculpture as well as those who have already begun to work in 3D.
Includes all materials and tools, extensive notes and handouts of each presentation, delicious morning tea and afternoon refreshments.
Note: This workshop does not include any mosaicing however the mosaic application is discussed where relevant throughout the workshop.
Course Structure: Day 1
Lecture and Presentation 1:
Sculptural Terms and Concepts
Lecture and Presentation 2:
Sculptural Process - From Concept to Completion
Presentation 3: Idea Investigation Practical Activities.
Ways to investigate your idea - Paper, Pencil, Clay, Foil, Wire
Presentation 4: Scaling up Idea Practical Activity
Construction of Armature and Commence Construction of Substrate
Course Structure: Day 2
Continued Construction, Evaluation and Development of a small to medium sized Sculptural Substrate
Lecture and Presentation 5:
Ten Top Tips for the Application of Mosaic to the Sculptural Form
Lecture and Presentation 1:
Sculptural Terms and Concepts
Lecture and Presentation 2:
Sculptural Process - From Concept to Completion
Presentation 3: Idea Investigation Practical Activities.
Ways to investigate your idea - Paper, Pencil, Clay, Foil, Wire
Presentation 4: Scaling up Idea Practical Activity
Construction of Armature and Commence Construction of Substrate
Course Structure: Day 2
Continued Construction, Evaluation and Development of a small to medium sized Sculptural Substrate
Lecture and Presentation 5:
Ten Top Tips for the Application of Mosaic to the Sculptural Form
Terms and Conditions.
I keep workshop numbers low to ensure a quality experience for all students. This means that last minute cancellations have a serious impact on the viability of workshops for all students. In addition to workshop fees, some students are paying for flights an accommodation to attend.
In the case of guest tutors, their willingness to work with our studio depends greatly on the viability of their classes.
In order to ensure workshops proceed the following terms apply.
- Workshop Deposits are not refundable.
- The Balance of fees is refundable if a cancellation is made 2 weeks or more before the workshop date.
In the event that a workshop is cancelled due to Covid 19 restrictions, tutor illness, or an extreme weather event, a full refund will be provided.
I keep workshop numbers low to ensure a quality experience for all students. This means that last minute cancellations have a serious impact on the viability of workshops for all students. In addition to workshop fees, some students are paying for flights an accommodation to attend.
In the case of guest tutors, their willingness to work with our studio depends greatly on the viability of their classes.
In order to ensure workshops proceed the following terms apply.
- Workshop Deposits are not refundable.
- The Balance of fees is refundable if a cancellation is made 2 weeks or more before the workshop date.
In the event that a workshop is cancelled due to Covid 19 restrictions, tutor illness, or an extreme weather event, a full refund will be provided.
