ANDAMENTO LEVEL 7
FEATURES, FACES AND FIGURES: PART B
HISTORY, ANATOMY & ANDAMENTO
Andamento Level 7: Features, Faces and Figures PART B is an intermediate/advanced mosaic class focused on developing skill in mosaicing the human form through structural understanding, andamento and tonal modelling with specific focus on Byzantine mosaics.
Working with smalti, students explore the symbolism and stylistic qualities of Byzantine mosaic through the exploration of facial features, faces & figures and the associated decorative elements that exempify Early Byzantine, Late Byzantine, Norman and Neo Byzantine Mosaic.
The course combines intensive practical studies with strong theoretical grounding, supporting experienced mosaicists to develop confident, figurative work.
Working with smalti, students explore the symbolism and stylistic qualities of Byzantine mosaic through the exploration of facial features, faces & figures and the associated decorative elements that exempify Early Byzantine, Late Byzantine, Norman and Neo Byzantine Mosaic.
The course combines intensive practical studies with strong theoretical grounding, supporting experienced mosaicists to develop confident, figurative work.
TERM 2: Byzantine
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Eyes of Justinian, San Vitale Ravenna.
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Lesson structure
History: Each lesson begins with a focused theory presentation, supported by extensive examples that highlight the history & narrative behind selected works.
Anatomy: To help understand the structure of each focus area, understanding the anatomy is essential
Andamento: Students then select a subject from a curated set of options and develop a flow-line and tesserae drawing for their study.
Colour: A colour analysis (hue, value, chroma) is undertaken which helps inform the palette and application of value in the study.
Mosaic: Practical work is commenced in class using the direct method on mesh or plastic. Studies are refined and resolved as homework, or during optional Thursday or Friday studio sessions.
Online access
All students enrolled in the in-person course receive automatic enrolment in the corresponding online course, held on the alternate Friday fortnight. This includes access to live online sessions, the LearnDash classroom, lesson recordings, supporting resources, and the international class Padlet for sharing work and receiving peer feedback.
If you are interested in the Online Course Only please visit www.artofandmento.com
History: Each lesson begins with a focused theory presentation, supported by extensive examples that highlight the history & narrative behind selected works.
Anatomy: To help understand the structure of each focus area, understanding the anatomy is essential
Andamento: Students then select a subject from a curated set of options and develop a flow-line and tesserae drawing for their study.
Colour: A colour analysis (hue, value, chroma) is undertaken which helps inform the palette and application of value in the study.
Mosaic: Practical work is commenced in class using the direct method on mesh or plastic. Studies are refined and resolved as homework, or during optional Thursday or Friday studio sessions.
Online access
All students enrolled in the in-person course receive automatic enrolment in the corresponding online course, held on the alternate Friday fortnight. This includes access to live online sessions, the LearnDash classroom, lesson recordings, supporting resources, and the international class Padlet for sharing work and receiving peer feedback.
If you are interested in the Online Course Only please visit www.artofandmento.com
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Who This Course Is For?
This course is intended for experienced mosaicists who already have a strong technical foundation. You may be well suited to this course if you:
If you are unsure if this is right for you please contact Caitlin to discuss. |
Empress Zoe, Hagia Sopia, Istanbul
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Do I have to use Smalti? No, you can use whatever material you have available.
Do I have to buy gold smalti? $$$
No. Whilst Oro (Gold Smalti) is a signature element in Byzantine Mosaic there are thousands of Byzantine pavement mosaic made in stone.
You can also create the effect of gold in numerous ways and can combine a range of materials (including stone and other glass) to create a luminous effect.
Do I have to use a Hammer and Hardie?
No, You can use nippers if you prefer although the hammer is a better long term option.
Is this class offered online?
Yes, this class will run online with Caitlin through Art of Andamento.
Do I have to buy gold smalti? $$$
No. Whilst Oro (Gold Smalti) is a signature element in Byzantine Mosaic there are thousands of Byzantine pavement mosaic made in stone.
You can also create the effect of gold in numerous ways and can combine a range of materials (including stone and other glass) to create a luminous effect.
Do I have to use a Hammer and Hardie?
No, You can use nippers if you prefer although the hammer is a better long term option.
Is this class offered online?
Yes, this class will run online with Caitlin through Art of Andamento.
Ktisis - Personification of Foundation , Haliplibaçhe Mosaic Museum Şanliurfa, Türkiye, Marble Pavement Mosaic
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Empress Theodora, San Vitale Ravenna
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